Desire: Flaubert, Proust, Fitzgerald, Miller, Lana Del Rey – by Per Bjørnar Grande
“A common theme in films, novels, or plays is how desire works in characters and how it creates and changes their destinies.” So begins this work by Norweigen professor and Girard scholar Per Bjørnar Grande in this Breakthroughs in Mimetic Theory series by Michigan State University Press, a series supported by Imitatio, a project of the Thiel Foundation. This book is comprised of 5 chapters: Chapter 1: The Nature of DesireChapter 2: Desire in Madame BovaryChapter 3: Proustian DesireChapter 4: Desire in The Great GatsbyChapter 5: Desire in Death of a SalesmanChapter 6: Desire in Lana Del Rey A highlight of this work is Chapter 4 on The Great Gatbsy, in which Grande frames F. Scott Fitzgerald in terms of his tortured mimetic relationship with his own characters, and how The Great Gatsby is actually a step forward for Fitzgerland in removing himself from the story. “Fitzgerald writes from a distance that enables him to discover a more refined literary structure,” notes Grande. “There is no longer any authorial voice or narrator with full access to the characters.” He continues: “In his previous novels, This Side of Paradise (1920) and The Beautiful and Damned (1922), Fitzgerald was playing out his own life, letting his protagonists wrestle with his own conflicting ideas regarding such philosophical perspectives as Nietzscheanism, naturalism, Romanticism, and Catholicism. The omniscient narrators in these novels are therefore constantly shifting perspectives in order to explore the author’s ideological frustrations. In contrast, the story told in The Great Gatsby is narrated by a character with limited access to the other characters.” Check out Desire: Flaubert, Proust, Fitzgerald, Miller, Lana Del Rey on Amazon
Fascism: Contagion, Community, Myth – by Nidesh Lawtoo
Fascism tends to be relegated to a dark chapter of European history, but what if new forms of fascism are currently returning to the forefront of the political scene? In this book, Nidesh Lawtoo furthers his previous diagnostic of crowd behavior, identification, and mimetic contagion to account for the growing shadow cast by authoritarian leaders who rely on new media to take possession of the digital age. Donald Trump is considered here as a case study to illustrate Nietzsche’s untimely claim that, one day, “ ‘actors,’ all kinds of actors, will be the real masters.” In the process, Lawtoo joins forces with a genealogy of mimetic theorists—from Plato to Girard, through Nietzsche, Tarde, Le Bon, Freud, Bataille, Lacoue-Labarthe, and Nancy, among others—to show that (new) fascism may not be fully “new,” let alone original; yet it effectively reloads the old problematics of mimesis via new media that have the disquieting power to turn politics itself into a fiction. Check out Fascism: Contagion, Community, Myth on Amazon.
Vengeance in Reverse: The Tangled Loops of Violence, Myth, and Madness – by Mark Anspach
How do humans stop fighting? Where do the gods of myth come from? What does it mean to go mad? Mark R. Anspach tackles these and other conundrums as he draws on ethnography, literature, psychotherapy, and the theory of René Girard to explore some of the fundamental mechanisms of human interaction. Likening gift exchange to vengeance in reverse, the first part of the book outlines a fresh approach to reciprocity, while the second part traces the emergence of transcendence in collective myths and individual delusions. From the peacemaking rituals of prestate societies to the paradoxical structure of consciousness, Anspach takes the reader on an intellectual journey that begins with the problem of how to deceive violence and ends with the riddle of how one can deceive oneself. Check out Vengeance in Reverse on Amazon.
A Short Treatise on the Metaphysics of Tsunamis – by Jean-Pierre Dupuy
In 1755 the city of Lisbon was destroyed by a terrible earthquake. Almost 250 years later, an earthquake beneath the Indian Ocean unleashed a tsunami whose devastating effects were felt over a vast area. In each case, a natural catastrophe came to be interpreted as a consequence of human evil. Between these two events, two indisputably moral catastrophes occurred: Auschwitz and the bombing of Hiroshima and Nagasaki. And yet the nuclear holocaust survivors likened the horror they had suffered to a natural disaster—a tsunami. Jean-Pierre Dupuy asks whether, from Lisbon to Sumatra, mankind has really learned nothing about evil. When moral crimes are unbearably great, he argues, our ability to judge evil is gravely impaired, and the temptation to regard human atrocity as an attack on the natural order of the world becomes irresistible. This impulse also suggests a kind of metaphysical ruse that makes it possible to convert evil into fate, only a fate that human beings may choose to avoid. Postponing an apocalyptic future will depend on embracing this paradox and regarding the future itself in a radically new way.The American edition of Dupuy’s classic essay, first published in 2005, also includes a postscript on the 2011 nuclear accident that occurred in Japan, again as the result of a tsunami. Check out A Short Treatise on the Metaphysics of Tsunamis on Amazon.
Shakespearean Cultures: Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances
by João Cezar de Castro Rocha In Shakespearean Cultures, René Girard’s ideas on violence and the sacred inform an innovative analysis of contemporary Latin America. Castro Rocha proposes a new theoretical framework based upon the “poetics of emulation” and offers a groundbreaking approach to understanding the asymmetries of the modern world. Shakespearean cultures are those whose self-perception originates in the gaze of a hegemonic Other. The poetics of emulation is a strategy developed in situations of asymmetrical power relations. This strategy encompasses an array of procedures employed by artists, intellectuals, and writers situated at the less-favored side of such exchanges, whether they be cultural, political, or economic in nature. The framework developed in this book yields thought-provoking readings of canonical authors such as William Shakespeare, Gustave Flaubert, and Joseph Conrad. At the same time, it favors the insertion of Latin American authors into the comparative scope of world literature and stages an unprecedented dialogue among European, North American, and Latin American readers of René Girard’s work. Check out Shakespearean Cultures on Amazon.
The Sacrifice of Socrates: Athens, Plato, Girard – by Wm. Blake Tyrrell
When Athenians suffered the shame of having lost war from their own greed and foolishness, around 404 BCE the public’s blame was directed at Socrates, a man whose unique appearance and behavior, as well as his disapproval of the democracy, made him a ready target. The Sacrifice of Socrateswas subsequently put on trial and sentenced to death. However, as René Girard has pointed out, no individual can be held responsible for a communal crisis. Plato’s Apology depicts Socrates as both the bane and the cure of Greek society, while his Crito shows a sacrificial Socrates, what some might consider a pharmakos figure, the human drug through whom Plato can dispense his philosophical remedies. With tremendous insight and satisfying complexity, this book analyzes classical texts through the lens of Girard’s mimetic mechanism. Check out The Sacrifice of Socrates on Amazon.
René Girard’s Mimetic Theory – by Wolfgang Palaver
A systematic introduction into the René Girard’s mimetic theory of the French-American literary theorist and philosophical anthropologist René Girard, this essential text explains its three main pillars (mimetic desire, the scapegoat mechanism, and the Biblical “difference”) with the help of examples from literature and philosophy. This book also offers an overview of René Girard’s life and work, showing how much mimetic theory results from existential and spiritual insights into one’s own mimetic entanglements. Furthermore, it examines the broader implications of Girard’s theories, from the mimetic aspect of sovereignty and wars to the relationship between the scapegoat mechanism and the question of capital punishment. Mimetic theory is placed within the context of current cultural and political debates like the relationship between religion and modernity, terrorism, the death penalty, and gender issues. Drawing textual examples from European literature (Cervantes, Shakespeare, Goethe, Kleist, Stendhal, Storm, Flaubert, Dostoevsky, Proust) and philosophy (Plato, Camus, Sartre, Lévi-Strauss, Derrida, Vattimo), Palaver uses mimetic theory to explore the themes they present. A highly accessible book, this text is complemented by bibliographical references to Girard’s widespread work and secondary literature on mimetic theory and its applications, comprising a valuable bibliographical archive that provides the reader with an overview of the development and discussion of mimetic theory until the present day. Check out René Girard’s Mimetic Theory on Amazon
A Refuge of Lies: Reflections on Faith and Fiction – by Cesáreo Bandera
Erich Auerbach’s seminal Mimesis: The Representation of Reality in Western Literature was published more than sixty years ago and is deservedly considered a classic. The book brought into focus the fundamental difference that exists between the two basic approaches to the textual representation of reality in Western culture. These two “styles,” as Auerbach called them, were archetypically displayed in Homer’s poems and in the Old Testament, respectively. Auerbach’s differentiation is the starting point for Bandera’s insightful work, which expands and develops on this theory in several key ways. One of the more significant differences between the two styles transcends and grounds all the others. It concerns the truth of each of the two archetypal texts, or rather, the attitude exhibited in those texts with regard to the truth of what they narrate. Auerbach, Bandera notes, is amazed at the Bible’s “passionate” concern for the truth of what it says—a concern he found absent in Homer. Bandera finds that what the prophet Isaiah called “a refuge of lies” defines Homer’s work. He draws on his own research and René Girard’s theory of the sacred to develop an enhanced perspective of the relationship between these texts. Check out A Refuge of Lies on Amazon
The Prophetic Law: Essays in Judaism, Girardianism, Literary Studies, and the Ethical – by Sandor Goodhart
To read literature is to read the way literature reads. René Girard’s immense body of work supports this thesis bountifully. Whether engaging the European novel, ancient Greek tragedy, Shakespeare’s plays, or Jewish and Christian scripture, Girard teaches us to read prophetically, not by offering a method he has developed, but by presenting the methodologies they have developed, the interpretative readings already available within (and constitutive of) such bodies of classical writing. In The Prophetic Law, literary scholar, theorist, and critic Sandor Goodhart divides his essays on René Girard since 1983 into four groupings. In three, he addresses Girardian concerns with Biblical scripture (Genesis and Exodus), literature (the European novel and Shakespeare), and philosophy and religious studies issues (especially ethical and Jewish subject matters). In a fourth section, he reproduces some of the polemical exchanges in which he has participated with others—including René Girard himself—as part of what could justly be deemed Jewish-Christian dialogue. The twelve texts that make up the heart of this captivating volume constitute the bulk of the author’s writings to date on Girard outside of his three previous books on Girardian topics. Taken together, they offer a comprehensive engagement with Girard’s sharpest and most original literary, anthropological, and scriptural insights. Check out The Prophetic Law on Amazon
Politics and Apocalypse – by Robert Hamerton-Kelly
Apocalypse. To most, the word signifies destruction, death, the end of the world, but the literal definition is “revelation” or “unveiling,” the basis from which renowned theologian René Girard builds his own view of Biblical apocalypse. Properly understood, Girard explains, Biblical apocalypse has nothing to do with a wrathful or vengeful God punishing his unworthy children, and everything to do with a foretelling of what future humans are making for themselves now that they have devised the instruments of global self-destruction. In this volume, some of the major thinkers about the interpretation of politics and religion— including Eric Voegelin, Leo Strauss, and Carl Schmitt— are scrutinized by some of today’s most qualified scholars, all of whom are thoroughly versed in Girard’s groundbreaking work. Including an important new essay by Girard, this volume enters into a philosophical debate that challenges the bona fides of philosophy itself by examining three supremely important philosophers of the twentieth century. It asks how we might think about politics now that the attacks of 9/11 have shifted our intellectual foundations and what the outbreak of rabid religion might signify for international politics. Check out Politics and Apocalypse on Amazon.