When These Things Begin: Conversations with Michel Treguer – by René Girard
In this lively series of conversations with writer Michel Treguer, René Girard revisits the major concepts of mimetic theory and explores science, democracy, and the nature of God and freedom. Girard affirms that “our unprecedented present is incomprehensible without Christianity.” Globalization has unified the world, yet civil war and terrorism persist despite free trade and economic growth. Because of mimetic desire and the rivalry it generates, asserts Girard, “whether we’re talking about marriage, friendship, professional relationships, issues with neighbors or matters of national unity, human relations are always under threat.” Literary masters including Marivaux, Dostoevsky, and Joyce understood this, as did archaic religion, which warded off violence with blood sacrifice. Christianity brought a new understanding of sacrifice, giving rise not only to modern rationality and science but also to a fragile system that is, in Girard’s words, “always teetering between the new golden age and a destructive apocalypse.” Treguer, a skeptic of mimetic theory, wonders: “Is what he’s telling me true…or is it just a nice story, a way of looking at things?” In response, Girard makes a compelling case for his theory. Check out When These Things Begin on Amazon
Violent Origins: Walter Burkert, René Girard, and Jonathan Z. Smith on Ritual Killing and Cultural Formation
by Walter Burkert, René Girard, Jonathan Z. Smith Burkert, Girard, and Smith hold important and contradictory theories about the nature and origin of ritual sacrifice, and the role violence plays in religion and culture. These papers and conversations derive from a conference that pursued the possibility and utility of a general theory of religion and culture, especially one based on violence. The special value of this volume is the conversations as such—the real record of working scholars engaged with one another’s theories, as they make and meet challenges, and move and maneuver. Girard and Burkert present different versions of the same conviction: that a single theory can account for ritual and its social function, a theory that posits original acts of group violence. Smith sharply questions both the possibility and the utility of such a general theory. Among the highlights of this stimulating interchange of ideas is a searching criticism of Girard’s theory of generative scapegoating, which he answers with clarity and conviction, and a challenging of Burkert’s theory of the violent origin of sacrifice in the hunt by Smith’s argument, posed as a jeu d’esprit, that sacrifice originates with the domestication of animals. Check out Violent Origins on Amazon.
Violence and the Sacred – by René Girard
His fascinating and ambitious book provides a fully developed theory of violence as the ‘heart and secret soul’ of the sacred. Girard’s fertile, combative mind links myth to prophetic writing, primitive religions to classical tragedy. Check out Violence and the Sacred on Amazon.
To Double Business Bound: Essays on Literature, Mimesis and Anthropology – by René Girard
An individual desires an object, not for itself, but because another individual also desires it. This mimetic desire, Rene Girard contends, lies at the source of all human disorder and order. In brilliant readings of Dante, Camus, Nietzsche, Dostoevski, Levi-Strauss, Freud, and others, Girard draws out the thesis of mimetic desire — and ponders its suppression in the West since Plato: “The historical mutilation of mimesis … was no mere oversight, no fortuitous ‘error.’ A real awareness of mimetic desire threatens the flattering delusion we entertain not only about ourselves as individuals but also about the nature and origin of that collective self we call our society.” Check out To Double Business Bound on Amazon.
The Scapegoat – by René Girard
Girard, professor of the French language, literature, and civilization at Stanford, builds on his notable previous anthropological and literary examinations of myth and ritual in human society. Here he applies his appraisals of Freud and Levi-Strauss to demonstrate how religion functions to keep violence outside society by deflecting it onto a scapegoat whose sacrifice restores the social order. Using a rich variety of resources from Greek to biblical, primitive to modern, he cites the Gospel Passion as a myth with the power to break the evil of collective violence and the corporate murder it conceals. Girard’s use of structuralism to analyze biblical texts will stir much discussion, and the book as a whole is bound to be considered provocative by specialists Check out The Scapegoat on Amazon.
Resurrection from the Underground: Feodor Dostoevsky – by René Girard
In a fascinating analysis of critical themes in Feodor Dostoevsky’s work, René Girard explores the implications of the Russian author’s “underground,” a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard’s remarkable engagement with Dostoevsky’s work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is “triangular” or “mimetic”—copied from models or mediators whose objects of desire become our own. Girard’s interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky’s writing, culminating in a revelatory discussion of the author’s spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky’s Notes from the Underground. Check out Resurrection from the Underground on Amazon.
Oedipus Unbound: Selected Writings on Rivalry and Desire
Did Oedipus really kill his father and marry his mother? Or is he nothing but a scapegoat, set up to take the blame for a crisis afflicting Thebes? For René Girard, the mythic accusations of patricide and incest are symptomatic of a plague-stricken community’s hunt for a culprit to punish, and Girard succeeds in making us see an age-old myth in a wholly new light. The hard-to-find writings assembled here include three major early essays, never before available in English, which afford a behind-the-scenes glimpse at the emergence of Girard’s scapegoat theory from his pioneering analysis of rivalry and desire. Girard unbinds the Oedipal triangle from its Freudian moorings, replacing the desire for the mother with desire for anyone―or anything―a rival desires. In a wide-ranging and provocative introduction, Mark R. Anspach presents fresh evidence for Girard’s hypotheses from classical studies, literature, anthropology, and the life of Freud himself. Check out Oedipus Unbound on Amazon.
Mimesis and Theory: Essays on Literature and Criticism, 1953-2005
Mimesis and Theory bring together twenty of René Girard’s uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard’s “mimetic theory“―a groundbreaking account of human interaction and of the genesis of cultural forms. The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard―Stendhal, Proust, and Dostoevsky―receive extended treatment, and Girard’s observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism. Though at times overshadowed by his work in religious and cultural anthropology, Girard’s work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as a theory. Check out Mimesis and Theory on Amazon
Sacrifice: Breakthroughs in Mimetic Theory – by René Girard
In Sacrifice, René Girard interrogates the Brahmanas of Vedic India, exploring coincidences with the mimetic theory that are too numerous and striking to be accidental. Even that which appears to be dissimilar fails to contradict the mimetic theory but instead corresponds to the minimum of illusion without which sacrifice becomes impossible. The Bible reveals collective violence, similar to that which generates sacrifice everywhere, but instead of making victims guilty, the Bible and the Gospels reveal the persecutors of a single victim. Instead of elaborating myths, they tell the truth absolutely contrary to the archaic sense. Once exposed, the single victim mechanism can no longer function as the model for would-be sacrificers. Recognizing that the Vedic tradition also converges on a revelation that discredits sacrifice, mimetic theory locates within sacrifice itself a paradoxical power of quiet reflection that leads, in the long run, to the eclipse of this institution which is violent but nevertheless fundamental to the development of human culture. Far from unduly privileging the Western tradition and awarding it a monopoly on the knowledge and repudiation of blood sacrifice, mimetic analysis recognizes comparable, but never truly identical, traits in the Vedic tradition. Check out Sacrifice on Amazon.
Job: The Victim of His People – by René Girard
What do we know about the Book of Job? Not very much. The hero complains endlessly. He has just lost his children all his livestock. He scratches his ulcers. The misfortunes of which he complains are all duly enumerated in the prologue. They are misfortunes brought on him by Satan with God’s permission. We think we know, but are we sure? Not once in the Dialogues does Job mention either Satan or anything about his misdeeds. Could it be that they are too much on his mind for him to mention them? Possibly, yet Job mentions everything else, and does much more than a mention. He dwells heavily on the cause of his misfortune, which is none of those mentioned in the prologue. The cause is not divine, satanic nor physical, but merely human. Check out Job on Amazon.